Kim Lissarrague - 2010 No. 125
About the luthier
Kim Lissarrague is a respected Australian luthier whose work is strongly linked to the “Australian school” of classical guitar building. He began making guitars at the age of thirteen and is now based in the Blue Mountains, west of Sydney. Producing a limited number of instruments each year, he has developed a signature style centred on lattice-braced soundboards and arched backs. His guitars are renowned for their extraordinary projection, clarity and sustain, crafted for musicians who require power, presence and tonal refinement in a modern concert setting.
About the guitar
Built in 2010, No. 125 is a commanding concert instrument that exemplifies Lissarrague’s approach. The thin and responsive cedar top is matched with rigid ziricote back and sides that add density and projection. The result is a dark, rounded tone with impressive sustain and a wide dynamic envelope. Despite its power, the guitar retains subtlety and control, responding well to both light and forceful playing styles.
The soundboard is finished with a light- matte wax coating, preserving the cedar’s natural resonance, while the body is protected by a polyurethane lacquer. Gilbert tuners, with their low-friction mechanism, provide smooth tuning without the need for oil or grease. This is a true example of the Australian lattice concept: bold, efficient, and refined, offering clarity, balance and tremendous projection without losing warmth or personality.
Original: $9,213.55
-70%$9,213.55
$2,764.06Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
About the luthier
Kim Lissarrague is a respected Australian luthier whose work is strongly linked to the “Australian school” of classical guitar building. He began making guitars at the age of thirteen and is now based in the Blue Mountains, west of Sydney. Producing a limited number of instruments each year, he has developed a signature style centred on lattice-braced soundboards and arched backs. His guitars are renowned for their extraordinary projection, clarity and sustain, crafted for musicians who require power, presence and tonal refinement in a modern concert setting.
About the guitar
Built in 2010, No. 125 is a commanding concert instrument that exemplifies Lissarrague’s approach. The thin and responsive cedar top is matched with rigid ziricote back and sides that add density and projection. The result is a dark, rounded tone with impressive sustain and a wide dynamic envelope. Despite its power, the guitar retains subtlety and control, responding well to both light and forceful playing styles.
The soundboard is finished with a light- matte wax coating, preserving the cedar’s natural resonance, while the body is protected by a polyurethane lacquer. Gilbert tuners, with their low-friction mechanism, provide smooth tuning without the need for oil or grease. This is a true example of the Australian lattice concept: bold, efficient, and refined, offering clarity, balance and tremendous projection without losing warmth or personality.