Jose Ramirez III - 1986 1a
About the luthier
José Ramírez III was one of the defining figures of twentieth century classical guitar making. Born in 1922, he assumed leadership of the historic Ramírez workshop in Madrid in 1957, guiding it through a period of unprecedented international influence. Under his direction the Ramírez guitar became a global reference for concert instruments, shaping both the sound and physical concept of the modern classical guitar for several decades. :contentReference[oaicite:1]{index=1}
Beyond his own instruments, José Ramírez III played a decisive role as a teacher and mentor. His workshop trained an exceptional number of highly influential luthiers who later established their own successful careers, making the Ramírez atelier one of the most important centres of guitar making in history. His willingness to experiment — most notably with cedar soundboards, extended string lengths, and structural innovations — left a lasting imprint on concert guitar development. :contentReference[oaicite:2]{index=2}
About the guitar
This José Ramírez III classical guitar from 1986 represents a mature example of the traditional 1A model as produced during the later decades of the workshop’s most influential period. Built with a cedar soundboard and Indian rosewood back and sides, the instrument reflects the characteristic Ramírez aesthetic and construction philosophy of the time. The polyurethane finish, typical for this era, provides durability while supporting a stable and direct tonal response.
A distinctive feature of this model is its so-called “double back” construction, consisting of two layers of wood in the back plate. This approach was used historically in some high-end Ramírez instruments of the period and can influence the body’s resonant behaviour by modifying internal damping and stiffness, contributing to the guitar’s overall tonal balance.
Tonally, the instrument offers a clearly Spanish sound character with a strong and well-defined fundamental. The trebles are bell-like and articulate, standing out for their clarity and singing quality, while the basses provide a firm and supportive foundation without becoming diffuse. One of the defining qualities of this guitar is its excellent separation of voices; each note maintains its own presence, allowing polyphonic textures to unfold with precision and coherence. The overall response is confident and stable, making the instrument particularly suitable for repertoire that demands clarity, projection, and a distinctly traditional concert voice.
Condition
The guitar is in excellent condition. There are no cracks, damages, or structural issues, and no visible marks or wear worth noting.
Original: $5,754.14
-70%$5,754.14
$1,726.24Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
About the luthier
José Ramírez III was one of the defining figures of twentieth century classical guitar making. Born in 1922, he assumed leadership of the historic Ramírez workshop in Madrid in 1957, guiding it through a period of unprecedented international influence. Under his direction the Ramírez guitar became a global reference for concert instruments, shaping both the sound and physical concept of the modern classical guitar for several decades. :contentReference[oaicite:1]{index=1}
Beyond his own instruments, José Ramírez III played a decisive role as a teacher and mentor. His workshop trained an exceptional number of highly influential luthiers who later established their own successful careers, making the Ramírez atelier one of the most important centres of guitar making in history. His willingness to experiment — most notably with cedar soundboards, extended string lengths, and structural innovations — left a lasting imprint on concert guitar development. :contentReference[oaicite:2]{index=2}
About the guitar
This José Ramírez III classical guitar from 1986 represents a mature example of the traditional 1A model as produced during the later decades of the workshop’s most influential period. Built with a cedar soundboard and Indian rosewood back and sides, the instrument reflects the characteristic Ramírez aesthetic and construction philosophy of the time. The polyurethane finish, typical for this era, provides durability while supporting a stable and direct tonal response.
A distinctive feature of this model is its so-called “double back” construction, consisting of two layers of wood in the back plate. This approach was used historically in some high-end Ramírez instruments of the period and can influence the body’s resonant behaviour by modifying internal damping and stiffness, contributing to the guitar’s overall tonal balance.
Tonally, the instrument offers a clearly Spanish sound character with a strong and well-defined fundamental. The trebles are bell-like and articulate, standing out for their clarity and singing quality, while the basses provide a firm and supportive foundation without becoming diffuse. One of the defining qualities of this guitar is its excellent separation of voices; each note maintains its own presence, allowing polyphonic textures to unfold with precision and coherence. The overall response is confident and stable, making the instrument particularly suitable for repertoire that demands clarity, projection, and a distinctly traditional concert voice.
Condition
The guitar is in excellent condition. There are no cracks, damages, or structural issues, and no visible marks or wear worth noting.
