About the luthier

Rafael Galán was born in Málaga and later worked for many years in Buenos Aires where he established his own workshop. Although fewer instruments by him have survived compared to makers of larger schools, his work occupies a meaningful place within the early twentieth century tradition of Spanish inspired guitar building. His instruments often show a clear and confident understanding of the Torres lineage and they reveal a maker with a sensitive ear for resonance and a refined sense of proportion. Surviving examples demonstrate a lyrical and intimate voice that reflects the aesthetics of the period and the warm character associated with guitars built in Spain and in South America during those years.

About the guitar

This guitar from 1923 is a remarkable witness of its time. It is built in the traditional manner with a spruce top and walnut back and sides, all finished with French polish. The instrument weighs only 1335 grams which gives it an immediate sense of lightness and openness. The antique tuning machines function well and contribute to the historic charm of the guitar. The overall workmanship reveals a builder with great attention to musicality and with a desire to create an instrument that breathes freely.

The sound is soft, calm and deeply resonant. The guitar responds with an airy and warm presence that feels comforting and expressive at the same time. The resonance unfolds with a gentle bloom and the sustain is surprisingly long for an instrument of this age. The guitar feels alive under the hands and reveals a mature character shaped by more than a century of natural ageing. The balance is steady and the instrument speaks easily in every register. It invites the player to explore colours, phrasing and a flowing cantabile line. This is not only a historical object but a musical partner that conveys the atmosphere and poetry of its era.

Condition

The guitar is in very good condition considering its age. There is a small glued crack on the side which is stable and does not require cleats. The instrument shows signs of careful use and the wear on the lower bout from the right arm is visible but fully functional. There are no structural issues that affect playability or sound.

Rafael Galan

Rafael Galan - 1923